![]() After his father's death in 1950, Saarinen founded his own architect's office, "Eero Saarinen and Associates". He worked full time for the OSS until 1944. Thereafter he joined the military service in the Office of Strategic Services (OSS) where he was assigned to draw illustrations for bomb disassembly manuals and provide designs for the Situation Room in the White House. In 1940 Saarinen became a naturalized citizen of the U.S. Eero Saarinen went on to design numerous iconic furniture pieces, most notably for Knoll International. In 1940, they submitted a joint entry to the "Organic Design in Home Furnishings" competition held by the Museum of Modern Art in New York. Together they experimented on new furniture forms and produced the first designs for furniture made from moulded plywood. It was here that Eero Saarinen met Charles Eames. There he worked in his father's architectural practice and also taught at Cranbrook Academy. After touring Europe and North Africa for a year and a stay in his native Finland, he returned to the United States in 1936. Subsequently, he studied architecture at Yale where he completed his studies in 1934. He grew up in Bloomfield Hills, Michigan, where his father, the architect Eliel Saarinen, tought at the Cranbrook Academy of Art.Įeero Saarinen studied sculpture at the Academie de la Grande Chaumiere in Paris, France. ![]() He emmigrated with his parents to the United States from finland in 1923 at the age of thirteen. Kennedy Airport in New York, which opened in 1962.COURTESY YALE UNIVERSITY ARCHIVES / EERO SAARINEN COLLECTION John Deere Headquarters TWA Flight Center Washington Dulles AirportĮero Saarinen (AugSeptember 1, 1961) was a Finnish American architect and furniture designer. One of his largest architectural projects was his design of the TWA terminal at John F. In this context, he designed a number of significant buildings in the USA. In addition to his career as a designer, Saarinen also worked in his father's architectural office until the latter’s death in 1950, after which he ran his own office called 'Eero Saarinen and Associates'. In contrast to the heavily decorated furniture of the early 1950s, Saarinen's designs rely on clean lines and a reduced formal language, which is why they remain timeless designs to this day. 319) by attaching seat shells and tabletops to a single leg. With the so-called 'Pedestal Group', to which the chair belongs, the designer finally succeeded in tidying up the "wretched tangle of legs" in houses and apartments (Fiell 1997, p. The 'Tulip Chair' (1956) also became a classic. Here, the individual elements of the chair are emphasized through a differentiation of material composition, texture and color. The latter represents one of the first postwar designs in seat shell aesthetics. They were created from 1941 onwards.Įxamples include the 'Grasshopper 60' armchair (1946-47) and the 'Womb chair 70' (1948). Today, Saarinen's furniture designs for the Knoll International company are best known. This collaboration eventually led to a series of innovative and award-winning furniture, including the design of the 'Organic Armchair', made of plywood, which won the Museum of Modern Art's 'Organic Design in Home Furnishings' competition in 1940. It was there that he met Charles Eames and, from 1937 onwards, experimented with him on new types of furniture, resulting in the first designs made of molded plywood. ![]() After his return, he worked in his father's architectural office and also taught at his professorial chair. Thanks to a scholarship, he was given the opportunity to travel across Europe between 19. The son of Eliel Saarinen, the famous Finnish architect and first president of the Cranbrook Academy of Art, and the sculptor and textile designer Lola Saarinen, initially studied sculpture at the Académie de la Grande Chaumière in Paris (1929-1930) until he finally transferred to Yale University in 1930 to study architecture. Eero Saarinen is - not least as a result of his exchanges with Charles Eames- one of the most influential players in American furniture design from the 1940s to the 1960s.
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